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William Goldman, who won Oscars for his aboriginal cine for “Butch Cassidy and the Sundance Kid” and his adjustment of “All the President’s Men,” died on Thursday night in his Manhattan home. The abounding biographer and biographer was 87. The Washington Post appear that pneumonia was the annual of death. 

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“Butch Cassidy,” a advocate Western that helped popularize the associate movie, appear Goldman as a biographer able to antithesis big action with a faculty of adventure, while “All the President’s Men” anchored his cachet as a able biographer of suspense. The two are advised to be amid the finest screenplays anytime accounting and body Goldman’s ambit and versatility. 

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Goldman, who frequently transferred his novels, such as “Magic,” “The Princess Bride” and “Marathon Man,” to the screen, was additionally a chronicler of the cine business. His books, “Adventures in the Awning Trade” and “Hype and Glory,” action an bare accessory at the affectionate of meddling and blow abhorrence by flat big wigs that all too generally neuters creativity. Of the cine business he already abundantly empiric “nobody knows anything,” a bit of wry acumen that is generally quoted on flat lots and controlling suites.

Goldman additionally angry his biting eyes appear the date and able sports, accommodating on accounts of those industries. As with his scripts, he brought adroit observation, ball amount and, especially, wit to alike his best austere enterprises. He additionally did bearding blow ups on such films as “Indecent Proposal,” “The Right Stuff” and “Good Will Hunting” as able-bodied as some films he was apparently blessed not to accept on his resume, such as the Arnold Schwarzenegger bomb “The Last Action Hero.”

In an April 2015 allotment on Goldman, the Writers Guild annual Accounting By declared: “What’s arresting about ‘Butch Cassidy’ and Bill Goldman is how abounding kids they encouraged and how abounding ambitious writers angry themselves into screenwriters by belief the calligraphy and the cine and Goldman’s annual ‘Adventures in the Awning Trade.’” Further annual his influence, the annual said: “His anecdotic style, with its arcane origins and common use of asides and comments, provides a map to a screenwriting aisle followed agilely by writers from Shane Black to Vince Gilligan.”

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Video: Watch final arena of Butch Cassidy (Sky News)

His 1964 atypical “Boys and Girls Together” bootless to affect critics, but it became Goldman’s aboriginal bestseller. That aforementioned year came “No Way to Treat a Lady,” a banana abstruseness that additionally after became a film. It was appear beneath one of the abounding pseudonyms he used, Harry Longbaugh, the absolute name of the Sundance Kid.

A screenwriting career came about by accident, Goldman said. Having apprehend an aboriginal abstract of “No Way,” amateur Cliff Robertson anticipation it a blur analysis and asked Goldman to acclimate the abbreviate chance “Flowers for Algernon” to the screen. Admitting none of Goldman’s assignment fabricated it into the cine eventually alleged “Charley,” it was through Robertson that Goldman was brought in to assignment on the 1965 escapade cine “Masquerade,” his aboriginal produced film, for which he aggregate the calligraphy acclaim with Michael Relph. He abutting acclimatized Ross MacDonald’s “The Moving Target,” which became the 1966 Paul Newman agent “Harper.”

Goldman spent a year exploring the 1967-68 Broadway division — accomplishing aggregate from accessory out-of-town tryouts of every assembly and to administering interviews with actors and directors. “The Season: A Candid Accessory at Broadway” was criticized for bent and snark back it was appear in 1969, but reviewers conceded that it was a awful absorbing read.

Also in 1969, Goldman accustomed what was again a high-water mark of $400,000 for his aboriginal cine “Butch Cassidy and the Sundance Kid.” The blur starring Newman and Robert Redford was one of the better hits of the decade and fabricated Goldman a biographer in demand.

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Goldman acclimatized his 1974 atypical “Marathon Man” as a bigscreen agent for Dustin Hoffman and Laurence Olivier. The catastrophe of the cine was afflicted after his consent, but the blur independent a memorable arrangement of ache that still leaves admirers afraid to acknowledgment to the dentist’s chair. His 1976 atypical “Magic” after fabricated it to the awning with Anthony Hopkins.

Goldman consistently advised himself aboriginal and foremost a novelist, but his scripts accustomed so favorable a accession that he could not abide axis out such efforts as break-in ball “The Hot Rock” in 1972, a 1975 adjustment of Ira Levin’s “The Stepford Wives” (from which he begged to accept his name removed) and “The Great Waldo Pepper,” a less-successful Redford agent about aviatorial barnstorming.

© Getty William Goldman He had such a able alive accord with Redford that he was enlisted to acclimate “All the President’s Men,” based on the Watergate analysis by Carl Bernstein and Bob Woodward, in 1976. The blur denticulate at the box appointment and best up several Oscar nominations, including one for best picture. However, his abutting adaptation, of Cornelius Ryan’s WWII ballsy “A Bridge Too Far,” was accounted boring and was a box appointment disappointment.

Goldman’s aboriginal chance into television was the four-hour miniseries “Mr. Horn” in 1979. By now his adventures in Hollywood had accomplished analytical mass, and he fictionalized some of those animosity in the 1979 atypical “Tinsel.”

He acclimatized his 1973 developed bogie annual “The Princess Bride: S. Morgenstern’s Archetypal Annual of True Love and High Adventure” (1973) for the successful, and assuredly popular, 1987 film. (There was no S. Morgenstern archetypal tale; that was aloof a conceit, which he additionally acclimated in a after work, “The Silent Gondoliers”). The film, a tongue-in-cheek chance cine did alone middling box appointment in its affected run, but became a band admired on video. Lines such as “Never go in adjoin a Sicilian back DEATH is on the line,” and “as you wish” became fan favorites and entered the accepted lexicon.

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Several album efforts additionally accomplished popularity, abnormally 1983’s aboveboard and adroit annual of the cine business “Adventures in the Awning Trade.” It became a bestseller. After in the decade he collaborated with sports biographer Mike Lupica on “Wait Till Abutting Year,” which looked at 1987’s baseball, football and basketball seasons. In 1990 came “Hype and Glory,” an annual of Goldman’s adventures as a adjudicator for the Cannes Blur Festival and the Miss America Pageant.

Though his after assignment couldn’t bout the action and affiance of “Butch Cassidy,” a 1990 adjustment of Stephen King’s atypical “Misery” was an exception. The abstruseness stared James Caan as a biographer confined by his cardinal one fan, Kathy Bates. The extra won an Oscar for her assignment and fifteen years later, Goldman acclimatized “Misery” for the Broadway date in a assembly starring Bruce Willis. Other Goldman efforts such as “Year of the Comet,” “Memoirs of an Invisible Man,” “Chaplin,” and “The Chamber” were a alloyed bag commercially and artistically.

The thrillers “The Ghost and the Darkness,” “The General’s Daughter,” and “Absolute Power” fabricated money, as did a big-screen adaptation of the TV alternation “Maverick,” but by again Goldman was as in appeal for his assignment as a calligraphy doctor as he was for his aboriginal efforts.

Born in Chicago, Goldman grew up in the Highland Park suburbs. After accessory Oberlin College, Goldman served in the military, again alternate to academy to complete his masters in English at Columbia University in 1956. That year he wrote his aboriginal novel, “Temple of Gold,” in 10 days, and admitting he had ahead bootless to get his aboriginal abbreviate belief published, Alfred Knopf best up the coming-of-age tale, and it accustomed acceptable notices.

His abutting novel, “Your Turn to Curtsy, My Turn to Bow,” additionally dealt with a adolescent male’s activity crisis; it was followed in 1960 by the well-received “Soldier in the Rain,” a tragi-comedy set on a Southern training base. It would be the aboriginal of his novels to ability the awning in the mid-’60s.

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In 1967 he appear the well-regarded conjugal ball annual “The Thing of It Is…” A bit after came novels including “Father’s Day” and the children’s book “Wigger.” “Control,” about a accumulation of bodies who try to adapt the approaching and the past, was able-bodied accustomed back appear in 1982. He additionally wrote “The Color of Light” and “The Brothers,” a aftereffect to “Marathon Man.” Goldman collaborated with his brother James, who died in 1998, on a date comedy, “Blood, Sweat and Stanley Poole,” and a musical, “A Family Affair.”

Goldman was affiliated to columnist Ilene Jones from 1961 until their annulment in 1991. He is survived by their two daughters, Jenny and Susanna.

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