Love it or abhorrence it. “It’s that visceral. There’s no in between,” says Lakes Sotheby’s International Realtor Josh Sprague of his wallpaper-saturated—and now celebrity-status—listing in Golden Valley. Sprague knew the acute colors and bright patterns of the best wallpapers slathered over every bank and best ceilings fabricated the 1960 Dutch Colonial–style abode in the Tyrol Hills adjacency special, but alike he wasn’t able back the advertisement went viral on the Internet. “It got best up by the Retro Renovation blog on Facebook and accustomed civic attention, not aloof from the media, but from consumers. That afraid me.”
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Built for his ancestors by absolute acreage developer Robert Keller and busy by his wife, Shirley, both now deceased, the abundantly wallpapered home is “a accolade to my mom,” says son Frank, a New York City artisan and babysitter with a BFA from Pratt Institute. He’s quick to put an end to the Facebook altercation over whether the abode and its affidavit are midcentury modern. “They’re not. In 1960 the abode was actual Minnesotan with baffling ache walls, a huge broiler of aged bricks, agitation chairs, and my mom’s Flow Blue collection. These wallpapers were its aftermost apotheosis by Shirley, apparently from the ’80s, admitting the attending is ’70s.”
And admitting all the activity generated by the adventurousness of her decorating—in accession to creating wallpaper cocoons, she again the patterns at the windows and on the beds and furnishings—“there was annihilation aberrant about Shirley,” Frank notes. “She wasn’t ‘the wallpaper lady.’ She grew up in Cambridge, area she was accession queen. She formed as a milliner client at Dayton’s, again back that activity vanished with the Kennedys and Jackie’s beanie hats, she began to apply added on the house. Other bodies assassin her to adorn their homes, but it was absolutely chat of mouth. She additionally busy all 2,500 of my father’s archetypal homes. She was acutely sophisticated, attractive, and Amy Vanderbilt well-mannered. Crudeness and boorishness were not in her vocabulary.”
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Her style, says Frank, was “somewhere amid Matisse and Mark Hampton. She admired color, but for her it was a amount of accepting the appropriate proportions. She didn’t charge effervescence, but she didn’t appetite arid or raw. She capital celebratory. The aftereffect isn’t Alice in Wonderland, but it is surreal.”
Discover what you love. “There’s a big movement today to reflect your own interests in your home, and that’s what the Keller home does best,” artist Mary Hickey says.
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Go bold with wallpaper. “People hem and haw so abundant today, but it’s aloof wallpaper and paint,” says artist and Avant-garde Mix columnist Eddie Ross. “I adore the era back bodies weren’t scared. They partied, entertained, and busy with zest.”
Repeat a distinct pattern. “Use it on the walls, windows, and upholsteries,” Ross says. “It’s not as cutting to the eye as bond patterns—it’s not as inclement as a stripe, a floral, and addition pattern. Again use aloof carpets, like a sisal.”
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Invest in affection workmanship. “These affidavit and draperies are all beautifully activated and crafted,” Hickey says. That’s why they still attending aboriginal decades later.
Don’t discount baby areas. Shirley blood her closets, hallways, and alike the laundry allowance (in a chicken Florence Broadhurst cardboard no less. “She alike corrective the rheostat to bout the walls!” Hickey observes.
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