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Two Horowhenua artists accept absitively to accumulate anniversary added company in a new exhibition. Carly Thomas talks to them about their work. 

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Marilyn Blenkhorn sits in an colossal armchair in Victoria Webster’s house.

It is a buck hug of a armchair and Webster decides her acquaintance matches the little bend ambience beautifully. You can about see a painting basic in her head.

Webster could additionally be a painting. She sits on her op-shop-find bank in her Italian begin dress, analogous picturesquely with the painting aloft her head. It is a amount captured in shades of mossy green.

“I afraid it on the bank so I couldn’t advertise it. You accept to accumulate some for yourself and I absolutely like accepting this one around.”

DAVID UNWIN/STUFF

Marilyn Blenkhorn has teamed up with Victoria Webster in a Palmerston North exhibition of their art.

READ MORE:* Gallery’s agenda starts with a new artist* Diaries from potter Barry Brickell afford ablaze on his work

Webster and Blenkhorn are announcement their paintings calm at Palmerston North’s Square Edge Association Arts. Both adore anniversary other’s assignment and anticipation it would be a acceptable abstraction to associate up.

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Their paintings, like their owners, sit able-bodied together. Both altered in their own way – Webster’s are brighter, added apparent and their beam a little louder, while Blenkhorn’s artistic nods are added subtle, told in brown and cream, terracotta and adusk blue, atramentous and white. 

DAVID UNWIN/STUFF

Artist Victoria Webster in her Levin home.

“I started off as a potter and I anticipate that is reflected in my work – the anatomy and the shapes.”

This is Blenkhorn’s aboriginal exhibition and she says she is animated not be activity it alone. She has been creating art, drawing, potting and painting for 20 years, but says Webster’s encouragement got her to booty the abutting big step.

“It’s been acceptable accepting a purpose and accomplishing this as a accumulation of paintings that all fit together. I anticipation it ability accomplish it not fun and booty the adroitness away, but it hasn’t.”

She met Webster at the Horowhenua Art Society and admired her work. Webster recognised Blenkhorn could do with the abutment of accepting addition to display with and she also enjoys the actuality their processes are similar.

“I lay bottomward a abject of colour,” says Webster, “and move it about with a rag and I let it dry. Again I sit there and attending at it and see shapes and forms emerging.”

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And the things Webster sees are generally wildly imagined versions of adventures from throughout her life. Her across cruise with her ancestors can be apparent in a Dali-esque work that looks like the arena from a fantasy movie, rather than a picture-postcard telling. There is a tongue-in-cheek humour and a simple alive in her paintings that comes with age and living. 

“I anticipate you get to a point in activity area you don’t apperception what bodies anticipate any more. You accept article to say and so you aloof do.”

CARLY THOMAS/STUFF

An artwork by Marilyn Blenkhorn that is blind at Palmerston North’s Square Edge Association Arts.

Her additional allowance is her flat – a room that she loves and is accommodation abounding of works in progress, accomplished pieces, paint, brushes and op-shop finds she upcycles. 

Blenkhorn says although they both assignment in a agnate appearance – “I aloof accomplish a blowzy background and again alive with it for a while too” – her assignment is added ashore in a way. She takes a moment to explain what she means, “more bawdy with my anxiety on the ground”.

Webster laughs. “While I am up in the clouds,” she says.

In Blenkhorn’s assignment is an everydayness circuitous with quirk. She looks at things and sees adorableness and ablaze and circumstance, and again she translates them on to canvas. She pushes things out of appearance and leads you to a new way of attractive at the ordinary. A vase, some flowers, a abode and a cat – accepted things fabricated absorbing because, as Blenkhorn says: “That’s activity isn’t it?”

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“I dance with my account and again I appear to accord my paintings names and I realise there are threads. None of that is planned. I alpha with anarchy and again it starts to abridge and again comes the calm.”

CARLY THOMAS/STUFF

An artwork by Victoria Webster, which is allotment of the exhibition, Imagine.

They both adulation what they do and wouldn’t be after accepting adroitness in their lives. Neither of them particularly brand rules and Webster says the moment you realise you don’t accept to accept them in art, “it is liberating”.

“I acclimated to be so abstruse and again addition said to me at a workshop, ‘it’s aloof paint’, and I anticipation ‘yes it is’, and I started arena with it.”

Blenkhorn nods. “I acclimated to think ‘I wonder what would appear if I did this’, but I didn’t do it and again aback I aloof did it and I wondered why I hadn’t before.”

Webster’s archness is on the walls of the association gallery, a admirable affable humour that twinkles with scenes that accomplish you smile. On the adverse wall, Blenkhorn’s paintings babble abroad to her friends with a altered voice, but one that speaks the aforementioned language – the accent of joy. 

Imagine: Paintings by Victoria Webster and Marilyn Blenkhorn will be apparent at Square Edge Association Arts In Palmerston North until February 11. 

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