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(Adam Rose, Turner Entertainment Networks )

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(Marvin Kaplan )

I had the absurd time afresh over the weekend at my third TCM Archetypal Blur Ceremony in Hollywood, an draft that aloof keeps accepting bigger and bigger in its fourth year. This is one blithely curated alternation of films and appropriate challenge with absurd celebrities (Norman Lloyd and France Nuyen for starters) and the nicest, best agog crowds I’ve anytime encounted at a blur festival.

Passes aren’t cheap, but bodies in band I batten with — they awning an amazing demographic and geographic amount — acquainted it was a abundant amount for the amazing arrangement on what’s on action from TCM. “It was a once-in-a-lifetime acquaintance that’s angry into a annual ritual,” said one beholder who alternate for a additional year afterwards a about bought a canyon as a allowance in 2012.

It’s not alone the films and the guests, it’s a mindset area the festival’s director, Genevieve McGillicuddy, programming carnality admiral Charlie Tabesh and their army of aggressive colleagues,set out to accomplish the all-embracing experiece as fun as possible. That agency apropos the admirers and not alleviative admirers (and press) like a botheration that needs to be controlled, such has continued been the case at one high-profile New York ceremony that’s overlapped the TCM draft for the aftermost brace of years (yes Bob and Jane, we’re talking about you).

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The alone complaint I accept with the TCM Fest is a abundance of offerings that force you to accomplish choices that alike Sophie ability be able to chronicle to. As abundant as I capital to analysis out new restorations of two George Stevens classics, “Giant” (with Jane Withers in attendance!) and “Shane” (Jeffrey Wells begin the closing a “levitational” experience), it’s array of amazing that they were assuming films that I capital to see alike added at the aforementioned time (four films with turnaway crowds were again on Sunday, but not these two).

Part of the allure is actuality able to see these films — some apparent in 35mm and others, mostly new restorations, on DCP — in archetypal venues, article that’s actually not accessible in New York City, area the abutting affair to an old-time cine palace, the Ziegfeld, opened in 1969.

Seeing a blur at the celebrated Grauman’s Chinese — abominably due for an IMAX makeover (“Our ambition is to be aback at the Chinese in 2014,” says a TCM rep) — enhances alike an asperous blur like the aperture night attraction, “Funny Girl” (where abruptness bedfellow Cher provided diva ability in abode of the absent Barbra Streisand). Alike a warhorse like “Mildred Pierce” takes on a new afterglow aback apparent on the big awning at addition 1920’s gem, the Egyptian Theatre — abnormally with Ann Blyth on duke to anamnesis how she auditioned for administrator Michael Curtiz for a loanout from Universal for what angry out to be her best-known film. The Egyptian can accomodate a alive orchestra, and one was on duke to accomplish Carl Davis’ admirable account for Clara Bow’s best movie, the adorable “It,” which was alien by my pal and Bow biographer David Stenn.

Last year, TCM added the aces 50-year-old Cinerama Dome as a venue, and this year it hosted an ceremony assuming of its actual aboriginal attraction, Stanley Kramer’s “It’s a Mad Mad Mad Mad World,” apparent in 70mm Ultra Panavision with stars Mickey Rooney, Marvin Kaplan and Barrie Chase on duke (there was an abandoned armchair for Jonathan Winters, addition appear bedfellow who anesthetized away).Kaplan, who was brought to the date in a wheelchair, brought bottomward the abode with his recollections of how Winters capital Kaplan and Arnold Stang to do their own stunts during the movie’s best acclaimed sequence, area Winters demolishes a account base with owners Kaplan and Stang inside.

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I’ve never abundant enjoyed watching this cine on TV, but seeing it on the ginormous awning at the the Dome reminded me why I admired it on its antecedent affected run (where I saw it in Astoria’s long-gone Ditmars Theatre, absolutely not in 70mm. And it’s cine nirvana aback you’re watching it with an admirers that applauds the appearances of Buster Keaton but Mike Mazurki and Charles Lane.

This year, acknowledgment to the TCM festival, I assuredly got to see the fabulously adorned autogenous of the El Capitan on Hollywood Boulevard, adequate as a advertise for Disney’s first-run films with alive date shows — if alone for the aboriginal hour of “My Fair Lady” (shown in a admirable new DCP that assault abroad CBS’ abhorrent Blu-ray alteration and raises hopes for a 50th ceremony video do-over), preceded by an agency concert. And the abundant Ben Mankiewicz, the festival’s co-host, expertly interviewing the sole actual casting member, Theodore Bikel.

Film historian Kevin Brownlow alien my admired blur that I saw this year, Warners’ amazing agenda apology of King Vidor’s “The Big Parade,” which like abounding offerings drew a arranged house. Possibly the best accepted blur of the bashful era — there are no reliable abstracts for “Birth of a Nation,” but “The Big Parade” ran 96 weeks at the old Rialto in Times Square — this 1925 World War I ballsy starring John Gilbert looks mostly like it was attempt yesterday. The blur that put MGM on the map, it’s a actual apt best for Warners’ aboriginal bashful absolution on Blu-ray afterwards this year. It’s a helluva movie, alike if John Gilbert sans beard looks alarmingly like Justin Timberlake.

Some added quick impressions:

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“I Am Suzanne!” (1933) I’ve waited years to see the consistently absorbing Rowland V. Lee’s agreeable melodrama, and it did not abort in a aflame new 35mm apology from the Museum of Modern Art. Lillian Harvey, Fox’s acknowledgment to Marlene Dietrich who went aback to Germany afterwards this, plays a agreeable ball ablaze who turns to alive with marionettes afterwards she’s bedridden in a amazing accident. Her fate is manipulated by a brace of ambitious lovers, a aureate affected administrator (Leslie Banks, who fabricated this amid “The Best Dangerous Game” and Hitchcock’s aboriginal “The Man Who Knew Too Much”) and a puppeteer (Gene Raymond, who formed with Lee and adept cinematographer Lee Garmes the aforementioned year on “Zoo in Budapest”). The expressionistic dream arrangement and the acute agreeable cardinal accumulation puppets and alive performers accept to be apparent to be believed. One of a kind.

“Suddenly It’s Spring” (1947) A attenuate screwball ball with a World War II setting, I’d never apparent this Mitchell Leisen block starring Fred MacMurray as a demobilized army administrator who tries to authority wife Paulette Goddard to the annulment she’d agreed to afore the affiliated attorneys both alien beyond for several years. He wants to ally Arleen Whalen (in a attenuate banana role), but Goddard is accepting additional thoughts. MacDonald Carey, who was abiding from real-life aggressive service, is in top anatomy in what you ability alarm a non-neurotic Tony Randall role as MacMurray’s best client, who accompanies his pal aback he tries to get Goddard to assurance annulment affidavit on a alternation to Chicago. A lot of fun this one, including a adornment by the abundant Frank Faylen as a GI accepting conjugal admonition from Goddard while en route. I accept no abstraction why Universal absitively to restore this abstruse appellation from their all-inclusive pre-1950 Paramount holdings, but I’m activated they did.

“The Desert Song” (1943) Out of apportionment for 60 years because of rights issues, this additional blur adaptation of the Sigmund Romberg operetta was revamped as an anti-Nazi action starring Dennis Morgan as the catechumen American baton of Riff rebels out to stop a railroad beyond the Sahara aback he isn’t singing at Gene Lockhart’s cafe. Endearingly asinine kitcsh directed with abundant appearance and in adorable three-strip Technicolor by the abundant Robert Florey (“The Beast With Five Fingers”), this plays added like an continued adaptation of one of Warners’ blush shorts than an “A” feature. Of appropriate absorption are all-encompassing blush angle of the Morocco artery sets that were recycled for “Casablanca,” filmed anon afterwards “The Desert Song” (Marcel Dalio, the broker from “Casablanca,” plays a banana abridge in the beforehand blur and their are curve and situations, abnormally one involving Vichy water, that ahead that classic). Stalwart Paramount actor Lynn Overman, attractive unwell anon afore his abortive death, contributes his final awning achievement as a war correspondent, abutting Warner banal players like Irene Manning, Bruce Cabot, Faye Emerson and Victor Francen, as able-bodied as the consummate Jack LaRue. Alike Robert Osborne backward for this screening. This will be advancing on DVD anon from the Warner Archive Collection, forth with the abundant straighter 1930 and 1953 versions.

“The Donovan Affair” (1929) The complete discs for Frank Capra’s cinema debut, a banana whodunit starring Jack Holt, accept been missing for decades. Added than 20 years ago, Blur Forum’s ablaze Bruce Goldstein came up with the ability abstraction of recreating the soundtrack from censorship annal and lip account of the aphasiac print. For this actual appropriate presentation at the Egyptian (a abundant added absorbing area than Blur Forum, no breach intended), Bruce accumulated a bicoastal casting of actors to live-dub the chat — abundant of which had the admirers in stitches — as able-bodied as a complete furnishings crew. You apperceive you’re in for article abnormal aback Kevin Brownlow is on band to see it.

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Bugs Bunny’s 75th Birthday Bash No block or candles to draft up, but Leonard Maltin and adolescent action authority Jerry Beck alien a affably curated alternative of a dozen activated shorts featuring that absurd wabbit from assorted credibility in his career — some of which I’ve never seen. The admirers was absurdly happy.

The affair is, I accept a activity I would accept been appropriately blessed with two or three absolutely altered itineraries at the TCM Archetypal Blur Ceremony — I would accept admired to accept apparent Mel Brooks, or Max Von Sydow, Goldstein’s trivia contest, or Jane Fonda abrogation her aisle in adhesive alfresco the Chinese. So abounding movies, so little time. For those of us who adulation archetypal cinema (whatever that is these days), aloof isn’t a bigger way to absorb four canicule than the TCM Archetypal Blur Festival.

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